Academic Writings:
"Mediated Body and Site of Becoming: Revisiting Hong Kong Video Art from the 1980s to 1990s through Body Imaginaries"
in the book Still Jumping: Mediated Performance and the Moving Image Across Asia and the Global Stage 2004–2024 (CCDC & Typesetter Publishing, 2025).
“Cinephile Culture as Infrastructure: Relations and Networks in Hong Kong 1960s–1980s,” Film Quarterly
(UC Press, Mar 2025)
“Investigating Hong Kong Alternative Cinema: The Formation of Cinephilias in the late 1960s,” Modernism/modernity (Johns Hopkins University Press, Mar 2024)
“A Critical Study of The 70’s Biweekly and Its Political Cinematic Practices,” in The 70’s Biweekly Social Activism and Alternative Cultural Production in 1970s Hong Kong (HKU Press, 2023)
Selected review/criticism 部分評論：
【香港跳格舞蹈影像節2023】如何敘述與重演移工的身體？你哥影視社的三組創作關鍵詞
How do we narrate and reenact the bodies of migrant workers? The three key creative concepts of Your Bros. Filmmaking Society
（9/2023，委約文章，刊於跳格舞蹈影像節2023年的你哥影視社小誌，轉載於Cinezen HK 映畫手民）
離去現場後，香港紀錄片如何重構現實？
Upon departure: How Can Hong Kong Documentaries Reconstruct Reality?
（3/2023，字花 第102期「香港電影評論小輯」Zihua issue 102, "Hong Kong Cinema Criticism Compilation"）
【2022 南方影展】散落再重聚：記南方影展的香港作品及「後 2019」影像的政治性
Scattered Reunion: Remembering Hong Kong Works at the 2022 Southern Film Festival and the Politics of "Post-2019" images.
（11/2022，委約文章，刊於放映周報）
【香港跳格舞蹈影像節2022】如何從影像看舞蹈？Daniele Wilmouth與卓翔的跨媒介風景
Jumping Frames – Hong Kong International Movement-image Festival 2022: How to Perceive Dance through the lens of Moving Images? Daniele Wilmouth and Cheuk Cheung's Transmedial Landscape
（8/2022，Cinezen HK 映畫手民）
香港電影業還有未來嗎？Is there a future for Hong Kong Cinema?
(22/3/2021，原刊於《明報．世紀版》，轉載於映畫手民)
【台灣人權電影節2019】《傘上：遍地開花》：重現抗爭運動的複數視野
（9/2019，委約文章，刊於台灣人權電影節2019場刊中）