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Academic Conference:

  • 16/3/2024 [Presenter] “Video art or video activism: A Comparative Study of Participatory Media and Collective Formation in Hong Kong and Taiwan in the 1980s”, in the panel of Revolutionizing The Screens: Emerging Media and Everyday Activism in Chinese Societies across the Pacific, organized by the annual conference of the Society For Cinema and Media Studies 2024, Boston, US.


Public Talk:

  • 給藝術工作者的《打開創作的研究:方法、展演與實驗》課, 14-15/2, 2024 四維空間 (Contemporary Dance Company at Macao), instructor.



Academic Conference:

  • Society for Hong Kong Studies Annual Conference 2023, 17/6/2023
    [Presentation Topic] Remediating actuality and journalistic events: a media-turn of Post-2019 Hong Kong documentary,
    in the panel of Post-2019 Hong Kong Cinema: Paradox and Polarization.

  • (Invited) Academic Workshop: Censorship and Creativity in Hong Kong Cinema,  19/5/2023
    The Center for Chinese Studies, Chinese University of Hong Kong.

    [Presentation Topic] Platform as resilience: negotiating against film censorship through online streaming.

Public Talk:

  • Dialogue: Archaeological body and alternative media: critical historiography of Hong Kong experimental moving image in the 1960s and 1970s,
    Jumping Frames – Hong Kong International Movement-image Festival (跳格 — 香港國際舞蹈影像節), 14/9/2023,
    Kino, Eaton HK, (speaker)

  • Post-performance talk of Minorities (少數民族) (by Yang Zhen 楊朕), presented by Unlock Dancing Plaza 不加鎖舞踊館,
    6/8/2023, The Box, Freespace, Art Park, West Kowloon Cultural District (西九文化區藝術公園 自由空間 大盒) (speaker)


  • "Night of the Form and Movement" (形體之夜), showcased in the Summer Camp of Renaissance Foundation, 
    3/8/2023, Jao Tsung-I Academy (饒宗頤文化館), (moderater)


  • A conversation on Lumbung Film in Hong Kong, organized by Hanart TZ Gallery, 24/6/2023, Hanart TZ Gallery, (speaker)

  • Filmmakers@HK in Focus, organized by Eye Catcher (奪目影像) (founded by Renaissance Foundation Ltd. 文藝復興基金會)
    18/6/2023, Kino, Eaton HK, (speaker)


  • VMAC Forum: Time-based Media Collection and Accessibility, presented by Videotage, 20/2/2023, online, (moderator)

  • Dialogue: "Not after—The hybrid temporality of 'Post' and others." (並非之後—「後/Post」的混雜時式以及其他),
    published by O. Square (方圓) issue 15 「後/Post」, 1/2023, (speaker)


    Academic Conference:

  • XXVIII Visible Evidence 2022, 13/8/2022
    [Presentation Topic] Drifting from Present to the Past: Reconfiguring an Alternative Discourse of Hong Kong History in the Recent Political Documentary.


  • Eye International Conference 2022, 31/5/2022
    [Presentation Topic] What makes the dispersed narratives in Global South: An Ethnographic Study of Alternative Archives in Hong Kong.


  • Association for Asian Studies 2022 Annual Conference, 24/3/2022
    [Presentation Topic] A 1970s Film Collective: Phoenix Cine Club and the Experimental Cinema of Hong Kong, 
    in the panel of Crime, Eros, and Intellect: The 1970s and the Making of Modern Hong Kong in Film.


  • Multiple Decolonialities and the Making of Asian Commons, 18/2/2022
    [Presentation Topic] Green Team and Video Power: a comparative study of independent video activism and collective formation in Hong Kong and Taiwan



Academice Conference:

  • Society for Hong Kong Studies Annual Conference 2021
    [Presentation Topic] Youth Politics after 1967: An Examination of the Political Re-enactment in Beggar (1970),
    in the panel of Hong Kong during a Previous Age of Global Crisis: Politics and Society in Post-1967 Cinema

Public Talk:

  • Ge.stell online residency and talk Nov 21, 2021.

  • “Documentary Impulses” Book Launch meeting and screening《記述的衝動》新書發佈見面及放映
    (Programmer and Moderator) June 6,2021.



Academice Conference:

  • Hong Kong Studies symposium 2021, on Hong Kong and Visual Arts, organized by Hong Kong Studies Association
    [Presentation Topic] From amateur to experimental: a study of Ho Fan’s experimental moving image art.


Academice Conference:

  • THE PICTURESQUE: Visual Pleasure and Intermediality in-between Contemporary Cinema, Art and Digital Culture, organized by Sapientia University, Department of Film, Photography and Media, Cluj-Napoca, Romania
    [Presentation Topic] From self-portrait to personal documentary: a media-archaeological study of the image of subjectivity.


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